Tuesday, 31 August 2010

Absent Engagement, Zierle & Carter




Photography: Pedro Gil, directed by Zierle & Carter

Zierle & Carter’s Absent Engagement invited lone participants on a journey into the dark cinema, led by torchlight. Instructions in envelopes initiated exchanges between pairs, exploring ways of communication which required imagination and challenged usual social boundaries. The limited availability of this performance simulated mystery and inquisition.

Exhibition of documentation

Walk the Line, Susan Mortimer



The event at The Poly opened with Susan Mortimer’s Walking the Line. The artist’s image was projected into the event space via live-feed technology as she performed in a studio in Durham. Mortimer walked continuously over four hours, following a blue line that was taped to the floor. Spectators became physical counterparts by enacting her movements on a line in The Poly. As Mortimer existed both physically in Durham and virtually in Falmouth, it depicted her concerns about the identity of the body in cultural space as advancing technologies cause significant shifts.

Exhibition of documentation

Nail Art, Bryony Gillard




Art Hub commenced with Bryony Gillard’s pop-up nail bar, Nail Art on Falmouth Moor. Gillard collaborated with a local nail technician and created five nail designs inspired by famous artworks. Passers-by were given free nail painting with these designs, and as the technician gave the service she spoke about her knowledge of the artwork. Nail Art explored intimacy through the giving of this popular service which can only be done by an artisan as opposed to a machine. The exchange of knowledge between the technician and participants also achieved bonding and challenged the social barriers surrounding art, regarding its hierarchical position. Nail Art’s location on Falmouth Moor mixed with the local shoppers and traders.

Creative Claws, nail and beauty salon, Helston

Exhibition of documentation

Art Hub, Saturday 21st August




Photography by Andreia Poças

Performances:

Saturday, 14 August 2010

Kathryn Ashill


Statement of Practice

Kathryn Ashill uses touch within her practice in order to reconnect with people and site. The artist believes that a unique perspective is gained through these embodied encounters of a social and physical landscape. Ashill also aims to highlight the British reserve and the problems of personal space through her simple durational performances. Collaboration is a key element to the artists work as her performances focus around social interaction and interventions.
The performances are often in response to personal experiences, her understanding of a landscape and the people within that given environment. The artist has invited kissing, touching, hugging, squeezing, washing and holding to forge a bond with participants and the locality.

Art Hub

Friend Request


You are invited to confirm or ignore Kathryn’s friend request. In confirming the new friendship you will become physically linked to her. The artist is hoping to create an embodied, physical social network in response to her removed experiences of socialising on networking sites.

Biography

Kathryn Ashill graduated from the BA Fine Art (Combined Media) at Swansea Metropolitan University in 2007 with first class honours. In view of her Tawe Performances 06-08 she was the recipient of the Mission Gallery’s Student Prize in 2007. Kathryn has collaborated with a variety of businesses and social groups (including a leech farm in Hendy, South Wales) to produce site specific performances. Her work often takes place in the public domain, busy city centres, rivers, workplaces, home. These live, public performances are documented through film and photography.

Kathryn recently created a new site specific performance for Milton Keynes Gallery, and has just returned from a residency CERBYD in which she was selected to travel Wales on a bus with 9 other Artist’s in the pursuit of new collaborations.
Ashill has recently been awarded an Arts Council of Wales grant to undertake a residency at Craig Y Nos Castle where the artist intends on creating a series of new site specific performances. The outcomes of this project will be exhibited in her first solo exhibition at Pontardawe Arts Centre in October 2010.

Link

Axis Profile

Wednesday, 11 August 2010

Art Hub Programme

Saturday 21st August


Falmouth Moor:

12-3pm Bryony Gillard, Nail Art


The Poly:

6.30-10.30pm Susan Mortimer, Walk the Line

7-11pm Kimble Bumstead, Touch Tent

8-9pm Kathryn Ashill

7-10pm Zierle & Carter, Absent Engagement

10-10.30pm Hedva Eltanani, LAB4